|The army arrayed: Valdemar II and his followers|
This obviously does not look like an ordinary Viking army, because it isn't. We chose figures for the mid to late portion of the (d) army list, so the 12-13th century. The selection was based on a few sources: Osprey's The Scandinavian Baltic Crusades and Medieval Scandinavian Armies (1), as well as WRG's Armies of Feudal Europe 1066-1300. Scandinavians in this period looked basically like Southern Europeans of a few hundred years earlier, except possibly hairier, more warmly dressed, and with fewer horses. I'm a bit dubious about the hair; personally, I'd start shaving if I needed to wear mail armor regularly.
I'll go over the individual manufacturers with the pictures below.
The full army list is: 1x3Kn (Gen), 8x4Bd or 3Ax, 2x2Ps or 3Bw, 1x4Sp or 7Hd. I painted only 7x4Bd, 3x3Ax, and no Horde.
|3x3Ax: Black Hat Lithuanian/Prussian axemen and spearmen|
|2x2Ps: Black Hat Lithuanian/Prussian archers|
These figures worked well with washes. I used a variety of natural tones on their clothes, and a wash of Devlan Mud tied them all together well. The faces were shaded with Ogryn Flesh wash, and I painted highlights on the hair.
|3Kn(gen): Legio Heroica feudal cavalry command|
This is the first army I've painted with substantial shield designs, and one of the last shields I painted was the general's. I decided this army would represent the Danish, in the era of Valdemar II "The Conqueror." The coat of arms he used is still part of the Danish coat of arms: three blue lions on a gold shield, with 9 red hearts.
|Dannebrog was a total square in the 14th c.|
|2x3Bw: Khurasan Frankish crossbowmen|
The remaining figures are the multitudes of blades, and one element of spearmen. For these, we chose Khurasan's Saxon Huscarls (with axes), German Milites (with swords), and Saxon Select Fyrd (with spears). Most of the shields are kite/almond shaped, which is expected for an army this late, but we tossed in some round shields which would still be in limited use.
The only complaint I have about any of these sculpts is with the faces on the German Milites and Saxon Fyrd. The clean shaven faces under nasal helms have almost no facial features. I admit they're almost totally covered, and it's only a minor problem, but the Huscarl faces are so much better that it's a noticeable contrast. A/A-
It was only as I was cleaning and assembling these figures that I realized a flaw in our figure selection: all of the figures except the spearmen were using two handed weapons with their sheilds on their backs. Oops! The upside is that during battle I get to see all my shield painting, instead of a bunch of Danish mail armor.
The other thing we could've chosen a bit better is the helmet selection. There would be more kettle helms in use during this period, and a few more closed-face helms as well. The figures we chose were purposefully limited to two mail order transactions, which is an unfortunate compromise to make, but I'm not sure my entertainment level would increase enough to warrant paying for shipping a third time. I will look for some additional suitable figures at Cold Wars, however.
For the shield color and pattern selection, I used the same sources cite above, along with some other Internet research. I found one interesting site intended for use by SCA participants attempting to register Viking heraldry even though it didn't actually exist. Along with speculation about how to fit Vikings into the rules, it has an interesting description of Scandinavian heraldry and a survey of the colors most commonly used.
Some of the shield patterns are directly from Osprey books, but most are simple divisions of the field in the common Scandinavian colors. Unfortunately the sheild bosses don't leave much room for symbols on the shields. Apparently Scandinavian heraldry didn't change as much over time as other heraldry, though, so I wouldn't expect the complex patters that emerged in the rest of Europe.
As with everything, it's all a matter of how picky you want to be and how much research you want to do. I did as much research as I wanted to do, and came up with something "close enough" in my own mind. I spent as much time painting them as I could while enjoying it. Now it's just time to learn how not to lose with them.